This is an extraction from a breakdance mixtape. Most likely shot with a HDSLR, the mixtape features a set of songs put together to work as a whole. Less popular songs, very good interaction with the video (see the part around 1.40with the trumpet sequence). A fairly good choice in the clips length - they can both showcase the performers and shift according to the tempo. The changes in length give the impression of unpredictability: if the music video is too structured it becomes boring as the viewer can foresee a change in sequence. A variety of focal lengths have been used, which again is good for unpredictability and some variety on the screen (this is key element in productions of this length : another breakdancer would love to see the whole production anyway, but a casual viewer may be bored after a while).
losing the lens caps since 2009
Monday, December 5, 2011
Top Nine: Rydel House
This is an extraction from a breakdance mixtape. Most likely shot with a HDSLR, the mixtape features a set of songs put together to work as a whole. Less popular songs, very good interaction with the video (see the part around 1.40with the trumpet sequence). A fairly good choice in the clips length - they can both showcase the performers and shift according to the tempo. The changes in length give the impression of unpredictability: if the music video is too structured it becomes boring as the viewer can foresee a change in sequence. A variety of focal lengths have been used, which again is good for unpredictability and some variety on the screen (this is key element in productions of this length : another breakdancer would love to see the whole production anyway, but a casual viewer may be bored after a while).
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